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thank you, i was wandering how the virtual instruments sounded more real than the ones from sebelius

rrice3:

I used Pro Tools, they have a MiniGrand Piano Plugin and some other virtual instrument plugin I used for the viola (it’s actually a violin patch).

legolamel:

Sounds good i like it, question though, what program did you use to make the viola sound more real

rrice3:

This is the first draft of my mid-term project, recently re-titled “Melancholy Flower”.

Piano and Viola. Let me know what you think.


Audio
[Flash 9 is required to listen to audio.]

Sounds good i like it, question though, what program did you use to make the viola sound more real

rrice3:

This is the first draft of my mid-term project, recently re-titled “Melancholy Flower”.

Piano and Viola. Let me know what you think.


Cristofori’s Dream by David Lanz

This is a beautiful piano song plus accompaniment that brings back memories, and so it inspires me to sit down and compose hope you like it.

Edward Romero


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Unreachable Expectations

I agree with John Adams when he said “If we can put aside expectations based on older models, we may not need to hanker for the good old days at all.” It is true that now a days we tend to look for another mozart, beethoven, bach, schumman and many other composers from earlier times. It is difficult to even try to surpass this iconical figures mostly when there are so many different genres of music. But I think in our time there are already composers who like Adams said, “look remarkably promising”, to make people feel the different meanings of music.


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Over the past thirty years the pendulum has swung so far away from the ‘angry young composer’ model, that it now threates to validate a mind-set more obsessed with immediate success and notoriety than with true imagination and daring.

Hallelujah Junction; John Adams


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having th emost ecumenical playlist doesn’t necessarily translate into being an imaginative or skilled creative artist.

Hallelujah Junction; John Adams


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